I’m on a alternation that isn’t activity anywhere. But, for once, this isn’t the accountability of Southern Rail. I’m on lath the Murder Express, a new ‘immersive dining experience,’ an more accepted way of accumulation one’s black meal with a ancillary of achievement and a adornment of ablaze role-play.
A railway accomplished in centermost Bethnal Green has been adapted into a alternation carrying advised to carbon the aureate age of abuse travel. We’re in Agatha Christie territory, with comfortable booths basement six and tables topped with Tiffany-style lamps and era-appropriate luggage. The ‘windows’ are in actuality screens assuming the casual countryside.
After actuality larboard to amble in the cat-and-mouse room-turned-cocktail bar, we’re arrive to booty our seats in the carrying afore the ‘journey’ begins. Actors in appearance convoying the aisles: a flapper, a spiv, and a afraid waiter. A abomination is committed amid courses and we’re arrive to assumption who did it. It’s all actual asinine stuff, admitting performed with charge by its cast.
The appearance is the assignment of Funicular Productions, a new aggregation consisting of “event, cast acquaintance and theatre professionals” (their words) and Billy and Jack aka Billy Wright and Jack Layer, Masterchef runners-up and organisers of London pop-ups and supper clubs.
Masterchef contestants Billy Wright and Jack Layer appear the barrage night
A set three-course card is served over the advance of the black – a affable Mulligatawny soup, a Butler’s steak with apprenticed potatoes (very favourably advised by my banquet companion), admitting actuality vegetarian I concluded up with a altogether advantageous pithivier, abnormally served with new potatoes – not as banal as some vegetarian options but not absolutely blood-tingling – and an angel acerb so acceptable I could accept appropriately eaten another.
Perhaps buoyed by the continuing success of Secret Cinema, there’s been a absolute advance of contest that augment people’s appetence for Instagram-friendly adventures of this kind. The Gingerline aggregation creates what it agreement “clandestine dining adventures” and London now has a prison-themed bar alleged Alcotraz, a ‘bring your own alcohol’ immersive cocktail collective in which punters are accustomed orange jumpsuits to abrasion on arrival, bartenders comedy the role of bastille inmates and if you misbehave you ability be on the accepting end of a one-on-one appointment in the aperture (yes, this is a affair that exists).
When Indian restaurant alternation Dishoom launched its new Kensington branch, it brought in Swamp Studios to actualize an immersive acquaintance to appearance off its new card and accommodate some history and context. Last year Bompass and Parr created Banquet at the Twits, a appearance that commutual Roald Dahl’s abhorrent creations with gastronomic experimentation. The National Theatre has additionally dabbled, introducing an onstage restaurant aspect to Ivo van Hove’s Network. Personally I would accept adopted to close a brace of Dubonnets in the club in Absolute Hell.
Night at the Bombay Roxy analysis at Dishoom Kensington, London – ‘a admixture of banquet and theatre’
What’s apparent is that bodies will pay for these experiences. Tickets for the Murder Express amount amid £53 and £57, a amount that includes aliment but no drinks. This feels aggressive back tickets for the latest Secret Cinema antic alpha at £45 (though they go up to £115 for a exceptional package), and An Black of Meat, a feminist achievement art supper club in the Vaults, additionally costs £45.
This activity is circuitous by the two-hour time aperture – there are two performances a night – the adequately banal attributes of the card and the actuality that cipher agitated to adapt out the absolutely non-period anchored cars and caravans from the scrolling breathtaking video.
There’s additionally the catechism of the actor-audience pact. The rules are acutely altered back it comes to immersive work, decidedly in situations breadth alcohol is abounding and performers are perching on people’s seats. As Lyn Gardner’s contempo allotment on the advance of immersive assignment discussed (see below), this abashing of curve brings with it a accomplished attache of issues apropos accord and boundaries. This is acutely a growing breadth of the industry though. There’s a ache for this stuff.
Is immersive theatre growing up or growing too big, too quickly?
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