Renovating and decorating an old abode for avant-garde activity is consistently a acclimation act. Become too bedeviled with tradition, and you’re active in aeon rooms; go for the High Modernist look, and you ability as able-bodied accept bought a address in a bottle tower.
But the interiors of this 1901 limestone abode in Brooklyn’s Park Slope neighborhood—designed by the Portland, Oregon, flat Jessica Helgerson Interior Design—get it right.
The house’s owners, a brace with three children, “appreciate abreast art and design,” says Chelsie Lee, the chief artisan on the project, “and capital the spaces to feel modern, while apropos the celebrated architecture.” So, the designers abounding the abode with appliance that is abreast after actuality hard-edged, and added artwork that complements what the audience already owned.
Most of the house’s aboriginal elements remained, and were in acceptable condition, including butternut copse paneling, copse floors, accessory plasterwork, doors, and windows.
The kitchen and bathrooms were original, but were abundantly adapted by the designers. (Brooklyn-based CWB Architects, the project’s architects, advised a terrace at the aback of the house, as able-bodied as one off the second-floor adept bedroom.)
Here and there, the aboriginal architectonics was adapted to acclimate spaces to avant-garde ancestors life. The clients, Lee notes, “wanted the abode to be attainable and kid-friendly.” The aboriginal attic of the abode includes the active room, parlor, dining allowance and kitchen; the library, appointment and adept bedchamber absorb the additional floor, while the children’s apartment are on the third floor.
Throughout the house, old and new appoint in a beautiful dialogue: The geometric wrought-iron grille on the wood-and-glass advanced aperture is reflected in the architectonics of the new marble attic in the entry. The shell-patterned decrepit bottle in the house’s advanced windows—along with a wallpaper by the artisan Lindsay Cowles—inspired the kitchen’s bowl bank tiles, fabricated by Tempest Tileworks in Portland, that are a abreast aberration on the archetypal Delft design.
In the dining room, the architectonics aggregation added its own historically admiring adaptation of the large, congenital copse cabinets accepted to houses of the aboriginal 20th century, re-creating the missing leaded-glass panes for the room’s bay window by attractive at agnate windows in the neighborhood. They ancient from attitude by painting bank in that allowance white, authoritative the amplitude brighter.
In the kitchen, an aboriginal accepted aperture arch to the dining allowance was replaced by a added attainable aperture that both brings ablaze in from the aback of the abode and creates a added accessible, family-friendly affiliation amid the kitchen and the blow of the aboriginal floor.
The kitchen itself accustomed a complete renovation: a amount to the basement, which is now accessed via the dining room, was relocated; the architectonics aggregation added three ample windows forth the alfresco bank and created a dining nook. The aggregation additionally installed new cabinets and appliances, forth with encaustic accurate attic tiles in a bendable black.
The house’s accoutrement and its sculptural lighting accessories appear from a who’s who of abreast designers, amid them Lindsey Adelman, BassamFellows, Another Country, Egg Collective, Jason Miller, Ladies & Gentlemen Studio, and Jaime Hayon.
The affluent tones of the upholstery fabrics throughout accord with the blithely black Moroccan rugs acclimated in abounding of the rooms, forth with custom pieces by Jessica Helgerson Interior Design, like the active room’s bristling sofa, the parlor’s arced exclusive daybed and coffee table, and the tables in the dining allowance and library.
And abreast art—like Vik Muniz’s ample agenda book Hummingbird (Scrap Metal) in the active room, or the awe-inspiring photograph in the library of the Cathedral of Santa Maria Assunta in Siena, Italy, by Markus Brunetti—further sharpens the chat amid abreast and celebrated elements in the house.
For the adept and kids’ bathrooms, the designers riffed on acceptable hexagonal-tile attic patterns, afterlight them with adventurous colors. The bathrooms themselves accept custom congenital anesthetic cabinets with arched, mirrored doors, and the absolute windows in the new battery enclosures accept arctic panes for privacy.
In the third-floor children’s playroom, the aggregation opened up a ample absolute closet and created a skylit account alcove lined with ablaze dejected cushions.
Not all the accoutrement are brand-new; the audience already endemic the adept bedroom’s aged bed, and the accompanying headboards in the beyond of the children’s apartment were an Etsy acquisition that the designers corrective blooming (and for which they advised new footboards).
As with any old house, advance airish challenges: analogous new copse to old, as back new floors were added to the appointment off the library or the children’s new account nook; or back the contractors had to booty appropriate affliction not to let the advance accident the absolute plasterwork.
The asphalt patterns and their colors appropriate lots of blush analogous and samples, but Lee calls it “a fun challenge.” In the end, as with all acceptable design, the house’s thoughtfully-realized apartment attending effortless.
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